Is Part Of is exactly Adirondack Research Library
Item set Digital Collections
The Adirondack Journal of Environmental Studies (AJES) is a peer-reviewed academic journal that exists to foster a dialogue about the broad range of issues that concern the Adirondacks and Northern Forest. AJES serves to bridge the gaps among academic disciplines and among researchers and practitioners devoted to understanding and promoting the development of sustainable communities, both human and wild. The journal purposefully avoids serving as a vehicle for any single or special point of view. To the contrary, in searching for common ground AJES welcomes variety and a broad spectrum of research and opinion from its contributors.
View exhibitions on the history of environmental activism in the Adirondacks Mountains. This website showcases themes and material available for further exploration in the John S. Apperson Jr. Papers and the Paul Schaefer Collection held at the Adirondack Research Library of the Kelly Adirondack Center at Union College in Schenectady, New York. The materials in these collections provide unique insights into 20th century citizen activism, grassroots environmental campaigns, daily life, and outdoor recreation in the Adirondack region of New York State. The materials were organized, selected for digitization, and cataloged during a two-year project at Union College, Grass Roots Activism and the American Wilderness: Pioneers in the Twentieth Century Adirondack Park Conservation Movement, which was funded by the Council on Library and Information Resources (CLIR) Cataloging Hidden Collections program.
Katherine (Kay) Flickinger Dockstader (1910-1995) was a lifelong resident of the Schenectady, New York area who worked for General Electric. She was one of the first women to hike the 46 Adirondack High Peaks and was an active member of the Adirondack Mountain Club (ADK), Mohawk Valley Hiking, and Otyokwa Clubs. Kay took extensive scenic photographs, detailing many of them with personal notes about the locations and participants. The images reflect Flickinger’s opinion that “up here, everything is beautiful!"